I see the great
men and women of my generation,
Going to and fro,
unnoticed, forgotten, invisible in a mass of bodies.
I know them, and
you know them.
But we do not know
them,
Because they are
as diverse as the greenery around us,
And as plentiful
as the salt in the ocean,
And as melodic and
unique as the song of a swan which says its final goodbye to a bodily existence.
I see them.
They pass by me on
the street,
Run into me in the
market and grocery store,
Their heads wave
from the window of the omnibus, as it sets off to another part of town;
Or maybe out of
town, all the way to the edge of this vast bit of earth which we inhabit.
I see them.
And I pass by
them, and run into them, and my head waves back.
There goes my
sister with her untamed wild mass of brown curls, which so beautifully suits
her worried looks;
And over there is my
brother, his hair white, his stance frail, his wrinkled face telling a story of
a long gone youth;
And down the
street is the boy selling newspapers on the pavement, hoping for a meal and bed
at the end of the day.
My flesh, my
blood, my hopes, my dreams,
All rest with
them, with the possibility of their own hopes and dreams.
All go unnoticed,
intertwined in an undistinguishable crowd, going back and forth,
And then back, and
then forth again.
Oh, I see her…
There goes the
landlady, who so kindly greets me good morning everyday.
And crossing the
lane is my dear old friend, who after ten years still wears the same hat as
when he was a boy (he must not have grown much, for it still fits his dark head).
I now stop to buy
some apples, healthful fruit which feels me with satisfaction (they come from
my neighbour’s orchard, the one with the limp, who bravely fought for his side
of the country).
I recognize the little
girl selling them; it is my neighbour’s niece: wide awake she dreams of princesses
and heroes, half knowing the heroin she herself is,
For she is the
flesh, blood, hopes, dreams, of our people.
And then, I see
him.
Of all, he is the
most remarkable.
Not because his
skin is darker than most (for it is the heart and its interior colour which will
decide his fate),
But because his
feet drag through the dirt, unprotected, and his wrists bleed, crusts peeling
off, from the wretched shackles of his condition.
His glossy black
skin like the stretched wings of a raven, his eyes two stars gleaming bright in
a dark sky.
And yet, there he
goes:
His beautiful
figure crushed under the weight of oppression and injustice.
The little girl
does not know; she only dreams, and in dreaming she does not see what surrounds
her.
Many do not see
what surrounds them.
But I do.
My eyes are open,
My heart receptive,
And my mind awake.
I stand on the
highest mountain and my eyes apprehend all that stands before me, after me, to
my left and to my right, above my head and below my feet.
My feet tread the
hard, dried, lifeless desert ground.
It scrapes my
soles and its heat burns my throat.
My hands stroke sweet
flowers in the garden and my nose breathes in their colourful scents.
My head rests on a
pile of green leaves, the touch of spring caressing the nape of my neck,
As my eyes stare
out into the deep blue ocean which threatens to swallow me whole (I am not afraid),
Heaps of cerulean,
blemished with wide white whales drifting away as the wind blows.
My ears make out
great roaring sounds in the distance; I am moved by them.
My legs run for
miles, until a tall grey structure stops my movement,
Giant cylinders
blowing smoke out into the sky, which is no longer blue but also grey, grey as
a woman’s hair, once flowing gold as dawn down her straight back.
From the corner of
my eye, I perceive a long metallic serpent creeping closer and closer.
Its large body
split into two; or maybe there are two sneaky snakes, connected through
parallel strings of hard cold intractable steel.
I look to the
horizon; this screeching stark snake seems ceaseless.
I see. I hear. I
touch. I smell. I taste. I feel.
All around me and
everyone around me:
So vast, so rich,
so diverse, so beautiful, strong, active!
A never-ending
adventure of blues, oranges, greens, reds, browns, yellows, greys, crimsons,
blacks and whites.
Of highs and lows,
deserts and rich countries, green mounds and grey buildings, machines and
living creatures.
I turn my back on
them
And concentrate
yet again, not on the geography of the place, but on the people who live here,
who have given life and blood and tears to create the greatest, most supreme
country of them all:
America!
And I see the
Americans!
All day and
everyday, the same routine unfolds before my eyes.
And everyday I see
my sister and my brother and the newspaper boy, my landlady and my neighbour,
his niece and the chained black man.
I see them, the
bodies and the hearts,
Filled with the
joy of hope, or the sadness of experience,
The American
Dream, which will come true for some and for many forever remain a reverie.
I see them.
Everyday.
And I ask, who
comes forth with his pen to write this great people?
The people of
country and city, of work and play, of honesty and felony, of body and soul…so
much soul in such fleshly ephemeral bodies…
I ask, who comes
forth and sings this vast and noble people?
A people of heroes
who are no heroes of the past, but of a present which is still in the making.
Who has the
courage to stand up on a great mound of rock and scream to all the winds, seas
and earths, all the countries, nations and men:
This is my people!
I AM AMERICAN!
I AM AMERICAN!
The great American
people is that which I sing!
The people which
bears no barriers, but extends itself beyond earth and ocean,
And which raises
itself up, and will raise every nation up,
Through an undying
ethos and relentless effort.
I may be wrong, I
may be right, I may be both, I may be none.
So long as my eyes
can see, my lungs can breathe, my mouth can speak and my hand can write, I will
be the grand translator of my people,
The American
people.
For they too have
a voice and a story to tell.
They will no
longer go unnoticed and invisible.
Look for me and you will find them.
With pen and paper,
look for me and you will find us both
In the Grand
Canyon at sundown.
Picture: All American Blonde, de Sandy Schimmel
1 comment:
O poema escrito pela colega é muito interessante e são claras as relações que podemos estabelecer com outros autores que tão bem conhecemos, como Walt Whitman, Fernando Pessoa, …
Eu gostaria de referir alguns dos versos que me fizeram lembrar "The Waste Land" de T. S. Eliot, especificamente “Going to and fro, unnoticed, forgotten, invisible in a mass of bodies./
I know them, and you know them.”, “I see them./
They pass by me on the street,” e “All go unnoticed, intertwined in an undistinguishable crowd, going back and forth,/
And then back, and then forth again.”.
Os versos apresentados anteriormente parecem remeter para a primeira parte do poema "The Waste Land", "The Burial of the Death", concretamente para os primeiros versos, “Unreal City,/ Under the Brown fog of a winter Dawn,/ A crowd flowed over London Bridge, so many,”, porque apesar da referência à cidade de Londres e não à América, estamos perante a mesma noção de deambulação pelas ruas, em que as pessoas saem de um certo sítio para se dirigir a outro (o local de trabalho na maioria dos casos), mas no final do dia regressam ao ponto de partida (espécie de movimento circulatório), o que conduz à rotina e à ideia de que são todos corpos humanos que fazem o mesmo todos os dias, sem haver distinção entre eles.
Joana Sousa - n.º 44173
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